Prints
SC-01 Andy Kim (2025)
by Chibbernoonie
by Chibbernoonie
This print was commissioned by Chibbernoonie for the inaugural annual A83 supper club held in New York, September 2025.
Print available to purchase from A83
Edition of 24. Printed on BFK Rives 250gsm White, paper size 19 x 15inches, plate size 8 x 10inches
Print available to purchase from A83
Edition of 24. Printed on BFK Rives 250gsm White, paper size 19 x 15inches, plate size 8 x 10inches
Rocking Slider (2024)
by Micropolitan Studio
by Micropolitan Studio
Artist Statement:
‘Rocking Slider’ is part of the “Playgrounds and Fear” series, a multiphase art and design research project that playfully combines and rethinks core elements of the playground to examine how this small-scale public space embodies complex socioeconomic and psychological narratives about the body. This object reimagines ubiquitous playground equipment through the lenses of fear and design to provoke memories of play.
Edition of 25. Printed on Hahnemuhle 300gsm Off White, paper size 19 x 15inches, plate size 8 x 10inches
‘Rocking Slider’ is part of the “Playgrounds and Fear” series, a multiphase art and design research project that playfully combines and rethinks core elements of the playground to examine how this small-scale public space embodies complex socioeconomic and psychological narratives about the body. This object reimagines ubiquitous playground equipment through the lenses of fear and design to provoke memories of play.
Edition of 25. Printed on Hahnemuhle 300gsm Off White, paper size 19 x 15inches, plate size 8 x 10inches
Three Windows and a
Stool (2022)
by Junainah Ahmed
by Junainah Ahmed
Artist Statement:
This piece is an experimentation on the representation of layered depths through crosshatching. Through basic line work, simply rotated and scaled, three windows and one stool are rendered by the copper plate.
Edition of 20. Printed on BFK Rives 250gsm Off White, 9 x 9inches, (230 x 230mm)
This piece is an experimentation on the representation of layered depths through crosshatching. Through basic line work, simply rotated and scaled, three windows and one stool are rendered by the copper plate.
Edition of 20. Printed on BFK Rives 250gsm Off White, 9 x 9inches, (230 x 230mm)
Pabellón de Acuñación (2021)
by Augstina Labarca
by Augstina Labarca
Artist Statement:
Built between 1785 and 1805 as the colonial mint, La Moneda Palace became the seat of government of Chile in 1846. For security reasons, coins were produced in a building in the heart of the mint. The building, Pabellón de Acuñación, was in the center of a courtyard to protect the rest of the building from potential fires. The architect Joaquín Toesca used this position to put in place a mirror game with the building’s main façade. The mint operated inside La Moneda until 1930. Pabellón de Acuñación, represented in this work, was demolished in the mid-forties.
Edition of 20. Printed on Hahnemühle Copperplate 300gsm Warm White, 9 x 9inches, (230 x 230mm)
Built between 1785 and 1805 as the colonial mint, La Moneda Palace became the seat of government of Chile in 1846. For security reasons, coins were produced in a building in the heart of the mint. The building, Pabellón de Acuñación, was in the center of a courtyard to protect the rest of the building from potential fires. The architect Joaquín Toesca used this position to put in place a mirror game with the building’s main façade. The mint operated inside La Moneda until 1930. Pabellón de Acuñación, represented in this work, was demolished in the mid-forties.
Edition of 20. Printed on Hahnemühle Copperplate 300gsm Warm White, 9 x 9inches, (230 x 230mm)
